The Christ the Redeemer statue in Brazil is iconic. Sitting atop Corcovado mountain and overlooking the city of Rio de Janeiro, it is a statue known around the world. Cristo Redentor is the local name for Rio's statue of Jesus Christ, although English-speakers call it the Christ Redeemer statue or Christ, the Redeemer. More secular students of statuary simply call it the Corcovado statue or Christ of Corcovado. No matter the name, it is striking architectural design and construction. In 2007, the Christ the Redeemer statue was named one of the New 7 Wonders of the World — beating out the Statue of Liberty in New York Harbor, which was only one of the 21 finalists. The Brazilian statue is not as old and it's smaller than Lady Liberty, yet its perceived presence is pervasive — Christ the Redeemer is omnipresent throughout this South American city even when Lady Liberty is quickly forgotten on the streets of New York City. Cristo Redentor stands only 125 feet tall (38 meters, including pedestal). The statue, including the small chapel within the pedestal, took five years to construct, being inaugurated on October 12, 1931, so it's not even a very old statue. So, why do we care about the Christ the Redeemer statue? There are at least five good reasons. Architecture as Protection and Collaboration If architecture includes everything in the built environment, we look at the purpose of this statue as we would any other structure. Why is it here? Like other buildings, the placement on the site (its location) is an important aspect. The statue of Christ the Redeemer has become a symbolic protector of people. Like Jesus Christ, the statue protects the urban environment, like a roof over your head. Cristo Redentor is as important as any shelter. Christ the Redeemer provides protection for the soul. The Christ the Redeemer statue was designed by Brazilian engineer and architect Heitor da Silva Costa. Born in Rio de Janeiro on July 25, 1873, da Silva Costa had sketched a figure of Christ in 1922 when the foundation was laid. He won the statue design competition, but the open-arm design may have been the idea of artist Carlos Oswald (1882-1971), who helped da Silva Costa with the final sketches.
1 | Location | : | Corcovado mountain, Rio de Janeiro, Brazil | ||
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2 | Tall | : | 125 feet tall (38 meters | ||
3 | Weight | : | 635 tons | ||
4 | Culture Icon | : | Rio de Janeiro | ||
5 | Height | : | 98 feet | ||
6 | Worked | : | 1922 and 1931 |
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